I’m still at that point as a potter that I don’t always know what I’m going to end up with when I sit down at the wheel with a freshly wedged hunk of clay. I haven’t gotten to the point yet where I can point my bat at right field and then proceed to hit the ball there.
This decanter is one of those projects. I didn’t know where the ball would end up when I started. Once I had the height, I went for the shape (and probably lost some clay in the process), and once I had the shape, I went for the detail on the top half. This pot and a couple of others fell victim to the Thanksgiving break of two weeks during which the studio was closed. I forgot what kind of clay I had used–I was using up bags of both white and “50” (gray that turns into speckled brown)–and made the assumption that I had used white. They both look very similar at the leather hard stage. I then had the idea of adding the abstract slip decoration around the belly of the pot and also crafted a stopper. In the end, I discovered that I had used 50 clay to make the pot and white clay for the decoration and stopper. Again assuming white clay, I used a clear runny matte glaze to finish the piece. And here is the result. Not exactly what I was expecting, but that is hardly ever the case anyway. Waiting for a piece to come out of the kiln and see how it turned out is part of the fun of being a potter. I think I’m pleased with this one.